I was pleasantly surprised by Body of Lies. I really didn't expect to like it, it's just not my kind of film. I think I've mentioned before in the blog (actually just had a look and it was in the No Country For Old Men) - I like films that have to be a film. I want a film to be a story that I have to be shown rather than told. Body of Lies is not that kind of visual film. It's a story... and it's a war story, another genre I'm not particularly interested in... they always seem a little too worthy for me. Also I'm not a Russell Crowe fan at all... actually I'm fairly indifferent on Leonardo DiCaprio too. However, despite all this, I liked it.
Body of Lies is about a CIA operative in the Middle East and his boss back in the US. A major terrorism campaign is being carried out Europe and the operative (DiCaprio) is on a mission to find the man who's ordered it. That's pretty much the gist of it really. Various things happen along the way and now that I come to write about it there's little that stands out, not that I would - don't want to spoil it or anything.
One of the things I liked about this film was the ease in watching it. There were quite a few strands running through it, not in a Crash kind of way - just that there are a few different parties involved in Ferris's (DiCaprio) search, but it wasn't difficult to follow. Now it's not often I'd praise the fact that a film wasn't too taxing on the brain but too often I watch films similar to this and I get the feeling that director or whoever has removed scenes to make it a bit more mysterious. It's as though they sit down, watch a film through and think, "Oh no, if the audience isn't constantly confused they're not gonna think it's a smart film. Let's take some bits out and make it more of a puzzle!". What ends up happening is that you get a film where some scenes are missing their context. It's very annoying. Or maybe that's just a pet hate of mine. Anyway, Body of Lies is not like this, it all makes sense. Well... story-wise, I'm not gonna start making political statements here.
I also liked the look of the film, it had an interesting colour palette, good lighting. But it wasn't over-done, there's weren't too many arty shots (as I call them) that can sometimes get in the way of a story. And! and this is a big and now. AND, I didn't find Russell Crowe particularly irritating at all... while Leonardo DiCaprio was very good...
Overall I'd have to say that what I liked about this film what that there was a certain balance to it. Now I'm sure someone else might watch it and think that it's another wishy washy liberal anti-American rant. I didn't see it like that at all. I just watched it as a film and not a political commentary - you can read whatever you want into Body of Lies but I think that's more a reflection of oneself than the film. As far as I'm concerned, there were good performances, an interesting plot, it looked good and it was all wrapped up in a nice big bow in the end. It's an easy film but I enjoyed it anyway.
I should possibly mention though that on the negative side, some fairly unlikely things do happen and a lot of it does seem slightly exaggerated. Only slightly though and that's what I mean about the balance. Everyone's a bit exaggerated for effect but it doesn't really cause any harm. Also I wanted to mention that Mark Strong and his character were very good, the bit of levity was nice. Course I wonder if my saying that says more about me than the film...
7/10
Showing posts with label war. Show all posts
Showing posts with label war. Show all posts
Thursday, 20 November 2008
Body of Lies (2008)
Labels:
2008,
7/10,
cinema,
drama,
film,
Leonardo DiCaprio,
review,
Ridley Scott,
Russell Crowe,
terrorism,
thriller,
war
Friday, 18 April 2008
Stop-Loss (2008)
Stop-Loss refers to the Stop-loss policy used by the US Military to involuntarily extend the length of active duty that a US service member undertakes. Basically it means that even when a soldier has reached their agreed date for the end of their active duty, the military can invoke the policy to send that soldier back to active duty. It has been described in some quarters as a "back-door draft". This film is about a one such fine soldier (played by Ryan Phillipe) who has been stop-lossed and what happens to him and his close knit group.
To be honest Stop-Loss is one of those films that just doesn't really go anywhere... Ok now, lots of films don't go anywhere, but they aren't really meant to and it works. Stop-Loss is not one of those film. Being generous I'll say that there was a kernal of an idea there and also I actually do admire that they made the film in the sense that while I'd heard of this "back-door draft" I didn't know much about it and it's not something you hear about that much over here. So that was interesting. Also because I'm a bit of a pinko it appealed to the liberal side of me. All well and good however, it's just not that good a film.
There are moments to it, there are good scenes and decent performances, but on the whole I just couldn't tell if it wanted to be all out against war, if it just wanted to show the stresses that soldiers are put through, how war changes them, how the people at home are affected by it or just highlight the practice of stop-loss and come out against it, or not. Honestly, the film just didn't follow through on any of them really and ultimately it was pretty unsatisfying. It had a good premise, I liked the range of characters that it covered but since it never really added enough depth to any of them it's hard to say that it was really worth making in the first place.
Anyway, like I said, there were good parts. I particularly liked seeing Joseph Gordon-Levitt - I liked him in 3rd Rock From The Sun and I loved Brick so it was great to see him in the film, though... like everyone in this film, he probably could have done more.
Ah, it's frustrating, thinking back there were good scenes and while the characters were somewhat stereotypical they weren't really overly so, so it could have gotten away with it if it was just a tighter film. I'd loved to have liked this film but it just didn't have the focus that it needed to make it relevent and in the end it just petered away into the ether. Forgettable.
To be honest Stop-Loss is one of those films that just doesn't really go anywhere... Ok now, lots of films don't go anywhere, but they aren't really meant to and it works. Stop-Loss is not one of those film. Being generous I'll say that there was a kernal of an idea there and also I actually do admire that they made the film in the sense that while I'd heard of this "back-door draft" I didn't know much about it and it's not something you hear about that much over here. So that was interesting. Also because I'm a bit of a pinko it appealed to the liberal side of me. All well and good however, it's just not that good a film.
There are moments to it, there are good scenes and decent performances, but on the whole I just couldn't tell if it wanted to be all out against war, if it just wanted to show the stresses that soldiers are put through, how war changes them, how the people at home are affected by it or just highlight the practice of stop-loss and come out against it, or not. Honestly, the film just didn't follow through on any of them really and ultimately it was pretty unsatisfying. It had a good premise, I liked the range of characters that it covered but since it never really added enough depth to any of them it's hard to say that it was really worth making in the first place.
Anyway, like I said, there were good parts. I particularly liked seeing Joseph Gordon-Levitt - I liked him in 3rd Rock From The Sun and I loved Brick so it was great to see him in the film, though... like everyone in this film, he probably could have done more.
Ah, it's frustrating, thinking back there were good scenes and while the characters were somewhat stereotypical they weren't really overly so, so it could have gotten away with it if it was just a tighter film. I'd loved to have liked this film but it just didn't have the focus that it needed to make it relevent and in the end it just petered away into the ether. Forgettable.
Labels:
2008,
6/10,
cinema,
drama,
joseph gordon-levitt,
review,
ryan phillipe,
Stop-Loss,
war
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